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How To Play Back In Black on ELECTRIC LESSON https://www.youtube.com/watch?v=vzVwHqjkPW4Back In Black ACOUSTIC Guitar lesson https://www.youtube.com/watch?v=.
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Some Quick amp settings to sound like AC/DC are: Gain: 7 Treble: 6 Middle: 5 Bass: 6 Presence: 5 This will allow you to get a good classic crunch tone that will emulate their sound. All without having to blast your volume control to the maximum. Not sure what amp settings actually do?
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But how does he achieve his unique sound? Is it possible to recreate it and what does it take? Let me answer those burning questions by showing how you can recreate Young's sound yourself. Table of Contents [ hide] Young's Amps AC/DC Amp Settings for that Angus Young Tone! Young's Guitars Young's Pedals Young's Amps
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To sound like AC/DC, start with the following amp settings: Gain: 5-6 Bass: 4-5 Mids: 5-6 Treble: 6-7 Keep in mind that the settings listed above are designed to be used as a starting point and will likely need adjusting according on the guitar and amp you are using.
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The song "T.N.T." was released in the band's native Australia in 1975, on the album of the same name. It was unleashed on the rest of the world in 1976, on the band's international debut LP, High Voltage. Clocking in a mere three minutes and 32 seconds, this song is as explosive as its name implies, and this crowd favorite has long been.
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#1 Hi everyone, AC/DC's one of my favorite bands, and I love their guitar sound and how Angus and Malcolm interact with each other on the records. After listening to some isolated tracks, I've noticed that Malcolm (on the left) has a darker and lower-gain sound, while Angus (on the right) has a bright, aggressive, high-gain tone.
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1. For a Clean Sound & Shimmer 2. Ideal Fender Amp EQ 3. Clean Base for Delay 4. Low Gain for Rock 5. The Wah Cut 6. An Amp EQ for Metal
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AC/DC Sound - Tips for amp settings to get that sound CozmoCag 33 subscribers Subscribe 158 Share 57K views 13 years ago How to get that AC/DC "clean distortion" sound (the Malcolm.
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Amp Settings: Angus Young of AC/DC Written by Bobby Kittleberger December 22, 2022 Leave a Comment Filed Under: Amp Settings, Artists AC/DC's Angus Young is best categorized as a classic rock guy, though AC/DC still sees a lot of significant mainstream success.
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This is a really interesting one because you probably don't need any pedals if you've got the right sound coming out of your amp. The ACDC sound is quite dry, so you won't need modulation, delay or reverb pedals. The bass drives the low-end and the rhythm from the drums and rhythm guitars is what really makes the tracks.
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The Quick Answer I think that amp settings for rock music are fairly complex, that's why I've created an in-depth guide to explain everything fully so you know what to do with your rig. But if you're here for a quick answer, then here's a diagram to show you the best place to start! Rock Music Amp Settings Gain: 6-7 Bass: 5 Treble: 4 Mids: 7
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AC/DC - Back In Black - Guitar Riff - Boss Katana Amp Settings, Tone Demo & Free Boss Katana Patch File Gear:Guitars: Gibson Les Paul Standard Amp: Boss Kata.
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#1 Can anyone help me with settings on a Vintage Modern to nail the AC/DC tone? N nabsley New Member Joined Dec 14, 2008 Messages 17 Reaction score 0 Dec 17, 2008 #2 I would say in general, not perticular to the amp model, Gain between 3-4, Master 5+, Bass 6-8, Mid 4-6, Tre 5-7 Hope that's a start. Nabil Stretchy Member Joined Jul 28, 2008
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To get closer to AC/DC's guitar tone, use these settings as your starting point: Volume: 6 Gain: 7 Bass: 5 Middle: 6 Treble: 6 Presence: 7 Reverb: 3 Depending on your setup, some of these settings might need a little tweaking.
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Dagan runs us through his very informative AC/DC Gear Guide. Find out what amps, guitars and pedals Angus Young & Malcolm Young use.In this video, Dagan show.
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Originally designed as a bass amp, the Super Bass shared circuitry with the SL model but was tweaked to give greater clean headroom at high volume. Perfect for Malcolm, whose rhythm tone is surprisingly clean - and his amp settings reflect this. Keep bass and mid at around 3, with treble and gain around 7 for a ballpark tone.